ina ray hutton band members

An-all girl band popular during and after World War II led by Chicago burlesque and musical theater entertainer Ada Leonard. The California based group played vaudeville houses and stage shows throughout the West Coast and in Honolulu. Hutton was born Odessa Cowan on March 13, 1916, and grew up with her younger sister June (also a successful singer) in a black neighbourhood on

A vaudeville style all-girl jazz band active in Chicago and the United States from 1925 to 1937. An unexpected visit by Jelly Roll Morton profoundly altered her musical approach, motivating her to embellish both new and well-known pieces.

Ina Ray The film and radio industry further supported the myth that these women were collegiates or temporary fill-ins for military men, in place of professional touring musicians. In between USO tours, White’s band also produced Soundies including “April in Paris” (1946) and “Zoot” (1946). She died of cancer in 1998 in Los Angeles (Wikipedia, Grove Music Online).

Gilbert continued to lead the group in local theaters and resorts and became a pioneer performer on both radio and television. An internationally known, American jazz and classical pianist, composer and singer. Lucy Brown's Involvement in Tommy Robinson's Panod... Tommy Robinson Exposes the BBC's Lies at Salford R... 10,000 expected at Tommy Robinson Media City Protest, Tommy Robinson Slams ISIS bride Shamima Begum. The group eventually landed prominent jobs with the Ziegfeld Follies and Earl Carroll Revues during the 1920s. Odie Daniel Cowan was white caucasian while her mother, Below, 20 year old Ina Ray Hutton sings and dances to Truckin'. newspaper in circulation since 1905, for the birth name.

personality and entertainment value was what made the band a success. These films helped promote the swing-based capabilities of female musicians while arousing interest in White’s boogie woogie/dance band aggregation.

Biographers of Holiday’s life often highlight her drug abuse, romantic strife and difficult childhood as constitutive of her unique artistry and musical expression, a common conception for African American female performers of this period (Grove Music Online, Wikipedia). A poet at the heart of the Harlem Renaissance. Along with Alex Hyde, Mills convinced Ina During the 1950s she toured internationally and headlined the Newport Jazz Festival in 1958.

Shortly after, she was targeted by the House Un-American Activities Committee at a time of continued racism in the advertising industry and economic hardships for jazz musicians in general.

In 1989, she was invited by Mikhail Gorbachev to play in the Soviet Union. Smith continued to work, establishing a reputation for herself in the South and on the Eastern Seaboard as a dancer and singer during the early 1920s.

She led various all-girl bands for several decades, most prominently during the 1930s, 40s and 50s. She made her radio debut at age 14 and soon had her own show in Fargo, North Dakota.

Passing, which had mostly died out by the latter part of the 20th century, also came with a series of heavy costs: families broken by one relative’s denial of their ties to another; the constant fear of exposure; and the psychological damage of denying one’s true identity. She continued a solo career in the mid-1940s, while also appearing in a few films, including 1944’s Up in Arms and 1946’s Till the Clouds Roll By.

By choosing I Accept, you consent to our use of cookies and other tracking technologies. In the 1940s, in addition to her film appearances, Scott was featured in Café Society’s From Bach to Boogie-Woogie Carnegie Hall concerts (1941 and 1943). Odessa and June would later go to High School.

She turned down scholarships to attend Oberlin and Bennett, choosing Prairie View College in Texas instead. Ina Ray Hutton, who died in 1984 at age 67, also had a secret that could have damaged her stardom. Phil Spitalny was a Russian born pianist, composer, and stage band/orchestra leader most active during the 1920s, 30s and 40s. out to be the key to revealing Hutton's race. The group disbanded in 1939.

She continued to play occasionally in nightclubs, while also appearing in daytime television. Perhaps, she speculated, White left the household because Hattie discovered his racial history. 1” (Chopin). There were only a handful of all girl bands during the big band era, hers was the most successful.

The group continued to headline vaudeville theaters and picture palaces throughout the late-1940s (McGee, Tucker, Wikipedia (“Phil Spitalny”).

program, "The Ina Ray Hutton Show", she revived her original act that made her famous, bringing back an all-girl

She also played bop, swing jazz, and classical music. Her parents were Marvel Svea (meaning "Swede") Williams and Odie Daniel Cowan. Leonard led an all-girl band for her television program on KTTV from 1952 to 1954 (Tucker, McGee). Cook County Judge Michael Toomin and Illinois Supreme Court Justice Thomas Kilbride each faced aggressive efforts to get them bounced from the bench. Cab Calloway often credited his sister for inspiring his own career path and she is sometimes identified as the first woman to lead an all-man band (Allmusic, Grove Music Online and Vintageblackbeaty). During the 1950s, she transitioned from radio formats to television with her own show, the Dinah Shore Chevy Show (1951-1963), which led the way for several jazz/popular music led variety programs.

They appeared in both Vitaphone shorts as well as feature length films; including Phil Spitalny and his Musical Queens (1934), Sirens of Syncopation (Vitaphone 1935) and When Johnny Goes Marching Home (1943 Universal).

Notable arrangers of the group were Jessie Stone and Eddie Durham who also orchestrated some of their recordings such as “Don’t Get it Twisted” (1946 Vic. Not that I’m a bombshell. Lillian Hardin was born in Memphis, Tennessee and raised by her grandmother, Priscilla Martin, a former slave.

Ray to come work for them in a new venture they had in mind, an all-girl

“Opportunity: The Journal of Negro Life” in 1927, Peter Morris and Stefan Fatsis reported for Slate last year, Phyllis Fletcher describes how she uncovered Hutton’s true story, she may herself have passed as white in New York, Foxx rocks as GOP rival O’Brien rides ‘into the sunset’ — incumbent wins big in state’s attorney’s race, Hard-fought, big-bucks legislative race seems to favor Republican Brad Stephens, in a blow to Democratic rival — and Madigan, Supreme Court Justice Kilbride struggling to keep his seat, while Cook County Judge Toomin appears to hold on, Rep. Sean Casten holds slim lead over Jeanne Ives in race for 6th Congressional District seat, Sen. Dick Durbin declares victory on most ‘unusual’ election night in four-decade career, Coronavirus live blog for November 3, 2020: Pritzker targets social gatherings amid ‘COVID storm’. She subsequently performed specialty acts in number of MGM films including Panama Hattie (1942), Broadway Rhythm (1944), and Till the Clouds Roll By (1946). De Angelis doubted that Hattie would have known White was one-quarter black, at least before they were married.

Besides her Big Band career and her own television show, Ina appeared in several films: The Big Broadcast of 1936 and Ever Since Venus (1944).

In the 1930s she appeared on Broadway in George White’s Scandals and The Ziegfeld Follies. In addition to Lena Horne, Scott was one of the first African American women to garner non-stereotypical roles in major Hollywood pictures, performing as herself in several features, notably I Dood It (MGM 1943), Broadway Rhythm (MGM 1944), with Lena Horne and in the otherwise all-white cast The Heat’s On (Columbia 1943), Something to Shout About (Columbia 1943), and Rhapsody in Blue (Warner Bros 1945). Her early musical theater appearances in New York included the Cotton Club Revue of 1938, Sing Out the News and The Priorities of 1942.

Hutton's birth name, Odessa Cowan, to search for records of Hutton as a Chicago's south side. Get the latest news on how COVID-19 is impacting Chicago and Illinois.

In 1926 she also toured the Far East. The program remained on air for 14 years, first on CBS and then NBC with General Electric as national sponsor.

Marvel was a pianist and played professionally in Chicago ballrooms and

As a young girl, she began imitating her favorite bands and vocalists as heard from national radio programs. Toomer did not want to be featured as a Negro in the marketing of “Cane” and later did not want his work included in black anthologies.

seductive stage persona, earning her the nickname ''Blonde Bombshell of While performing in The Ziegfeld Follies, Ina Ray dazzled Irving Mills, In 1956, she released the LP Lady Sings to the Blues (Verve) to accompany her auto-biography of the same title. She briefly led her own band for a CBS variety television program Three Chicks and a Fiddle with jazz violinist Ginger Smock. During the 1950s, she returned to the all-girl format for variety television programs including the Ina Ray Hutton Show which aired on a local Los Angeles station.

However, they frequently contracted non-black women into their ranks, and were therefore required to adopt various strategies to promote both the “internationalism” of the group while also disguising the race of non-black members for Southern audiences. (Grove Music Online, Wikipedia, Denison Alumni Association).

In the book, she wrote of Clare, the protagonist who “passes” as white a comment that many may feel applies to Dolezal — in an entirely different context — decades later: “The trouble with Clare was, not only that she wanted to have her cake and eat it too, but that she wanted to nibble at the cakes of other folk as well.”.

After attending UCLA in the 1950s, she furthered her skills in bebop and gained the attention of Dizzy Gillespie. Upon establishing herself as a New York nightclub and radio performer, Horne was invited to perform for Café Society in the early 1940s. She was performing in Copenhagen in 1941 when she was arrested for drug charges and later returned to the United States. In 1934 she was asked by vaudeville agent Alex Hyde to lead an all-girl orchestra, the Melodears, which featured trumpeter Frances Klein, pianist Ruth Lowe Sandler, guitarist Marian Gange, trumpeter Mardell “Owen” Winstead and trombonist Alyse Wells during its existence. Some Liked It Hot - Jazz Women in Film and Television, 1928-1959. appearing in several Paramount film shorts, including Feminine Rhythm (1935), Accent on Girls (1936) and Smith began busking as a child on the Streets of Chattanooga with her brother Andrew as a singer and dancer. De Angelis, who is 74 years old and lives in Grayslake, Ill., said she knew that her grandfather worked as an artist and had been published in the Saturday Evening Post or another magazine, and that he was separated from her grandmother, who worked as a secretary for Sears. She also led a number of European tours during the 1950s with residences in Paris clubs including the Metro Jazz in 1952 and 1953.

She sang, recorded and directed Andy Kirk’s band in 1931 at the Pearl Theatre in Philadelphia.

She retired from music in 1968 and died in 1984 of complications from diabetes, aged 67 (McGee, Blackpast.org).

Republican Bradley Stephens faced Michelle Darbro in one of the priciest Illinois House races this election cycle — where Speaker Michael J. Madigan loomed large. In 1933, they toured Europe with a 16 piece band, which included pianist Dorothy Sauter and saxophonist Geraldine Stanley. The group established themselves at the Martin Hotel, performing two shows a day, which were broadcast nightly on local radio station KSCJ. At that point in time, she was an "artificial" But I have that big ’ol forehead. Calloway filed for bankruptcy in 1938, effectively ending the band’s tenure.

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