"Little" Fugue in G Minor - All Organ: Definition. 2 0.0/10 2 The harmonic structure returns to G minor, and the other layers follow suite outlining the harmony with the continuing contrapuntal melodies and rhythms. 4 Serujioneko (2015/4/24), Complete Score 8 2
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- Carolus (2009/11/15), Complete Score 6
*#491802 - 0.21MB, 2 pp.
Alan.f.rice (2018/11/27), Complete Score All in one.
Transposed to E minor.
The melody throughout the piece in all of the voices has different variation as the main theme moves through them.
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(-) - !N/!N/!N - 3543×⇩ - Michrond, Engraving files (Finale) (-) - V/V/V - 55203×⇩ - Peter, Complete Score 6 10
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8 (-) - !N/!N/!N - 269×⇩ - Rainer Lewalter, Tenor Saxophone (B♭) 4 Filesize: 19.6 kb. 8
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This song begins with a single instrument, its timbre somewhat familiar to me, it sounds like a clarinet or perhaps a cornet; I do not know but it definitely is a wind instrument. - Reccmo (2011/12/6), Descant/Treble recorder 0.0/10
Match. Fugue=strict imitation of fugue subject interspersed with episodes of free counterpoint. 10
(-) - !N/!N/!N - 5662×⇩ - Reccmo, PDF typeset by arranger
Bach: “Little” Fugue in G minor as preformed by Erich Kunzel/Cincinnati Pops Orchestra. 6 -
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6 2 *#358173 - 0.88MB, 29 pp. Now we have an introduction of counterpoint, as the two layers are playing contrapuntal rhythms, creating a great sense of movement along with filling in the space.
6 It seems strange that they do not come in sooner to add color and to express the color changes in the chords more rapidly than just at the very end. Spell. The flutes have more of a sweetness, where as the strings have more of a twang in the quality that they poses compared to the brass. 10
With its low ominous sound one cant help but feel slightly uneasy, and the small dynamic increase aids in achieving this effect. Browse. 2
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4 The first interval played is a perfect 5th, a very strong interval indeed, one we seem to find in many of my analysis’s of classical music.
8 The Range is within an octave. 8
*#161756 - 0.04MB, 2 pp. Create a free website or blog at WordPress.com.
2 2 *#26451 - 0.27MB, 7 pp. 6 - 10 The timbres of the layers add different sound qualities with each unique type of family the instruments come from.
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