Details Transcriptions Scores of Bach and Couperin. Then when I was thinking of making this recording, I spoke with Hubert and I asked him how he would feel about me playing it. Courtesy of the Official DavidRussellGuitar.com website. Sa discographie comprend également un CD récital avec des transcriptions de Bach, Haendel et Domenico Scarlatti, un album tout à fait classique appelé Nineteenth Century Music et les œuvres complètes de Francisco Tárrega sur Opera Tres . This is very hard to do as far as the famous pieces go, because we all have heard so many versions. CG: Have you followed a similar style to Käppel’s version for the ornamentation? https://fr.wikipedia.org/w/index.php?title=David_Russell_(guitariste)&oldid=172291344, Article de Wikipédia avec notice d'autorité, Page pointant vers des bases relatives à la musique, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. I included the ones that I think are important. We get older and we perhaps have more time; I hope that maybe this new recording is more thoughtful. External links.
CG: How did it come about that you recorded Hubert Käppel’s transcription of the Bach? CG: There are the four Couperin pieces that you recorded on the Air on a G String CD and now there are another four on this new recording. CG: In the sequence of solo recordings, would that have been about your third recording? Plus tard, il remporte de nombreuses compétitions internationales, notamment le Concours Andrés Segovia, le Concours José Ramírez et le Concours espagnol Francisco Tárrega . CG: What did you use as a source for your version? I used to play like a miniature copy of Segovia. Maybe that was OK when I was 12 or 15 years old, or something like that, but there came a day when I didn’t want to continue it because I sounded like a really bad version of this great player. Russell: Well, I would only do it a third time if I wanted to make some kind of radical change. 7, HWV 432], which you recorded many years ago. So if I have the idea that the phrase should go in a particular way, basically then I have to translate that onto my fingers. 6‘ on a Custom Santa Cruz PJ Parlor Guitar, Classical Guitar Sessions: ‘Flametal’ Guitarist Ben Woods Plays Foo Fighters & A Rumba, ‘Classical Guitar Sessions’ Presents Matthew Fish Playing Music by Johannes Möller, A ‘CG’ Online Exclusive: Evangelos Assimakopoulos on Arrangement and Transcription. CG: So that there is a regularity of pulse and accent? David Russell (born 1953 in Glasgow) is a classical guitarist. David Russell spends his time touring the world, appearing regularly at prestigious halls in main cities, such as New York, London, Tokyo, Los Angeles, Madrid, Toronto or Rome. Couperin wrote his pieces in Ordres, like suites, and with these ones, the whole suite has five movements, but there was one movement that I couldn’t fit onto the guitar and it’s not actually a very pretty movement anyway. CG: Do you often listen to your early recordings? Russell: Yes, you know some people have made arrangements of Weiss where they have tuned the first string down to a D. It’s interesting because you do get certain harmonies that would be otherwise hard to achieve, but with the Passacaille and the rest of this suite, I didn’t find it necessary. Russell: The first recording was made around 1984.
At the time of the first recording was really when I was developing that kind of ornamentation and those kind of trills. The only challenge really is the ornamentation. Il imite notamment Andrés Segovia et Julian Bream. CG: I imagine that it is inevitably a different version when you record a piece for a second time—even you could not reproduce an identical version of yourself, even though every other guitarist might be trying to do it! Of course, I’m not the only one to do them, but for me they were a new kind of technique, so some of them were just flung in all over the place. Russell: I have sent the transcriptions to Doberman-Yppan in Canada, who publish my Collection David Russell series, and the first ones have already been published: Les barricades mystérieuses, Les Silvains, and Les tours de passe-passe.
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